N O R T H C E N T R A L R E G I O N
CHIMAYO, DIXON, PEÑASCO, CHAMISAL, TAOS, QUESTA, ABIQUIU, EL RITO, & CHAMA AREAS
ARTISTS LISTED ALPHABETICALLY
Click on the Images to Enlarge
Click on the Images to Enlarge
LANA DURA
Taos
Giving Sheep A Job
Felts can be heavy-weight (floor rugs),
Our Pot holders & Tortillas, Coasters and Place Mats are fun and utilitarian.
Visit Lana Dura's Listing on
The New Mexico Artist Directory |
Felts can be light-weight
light (art felts).
Lana Dura uses only natural colors of Navajo-Churro wool, ranging from black and white through unusual browns, grays (plus hot water and friction), to make their wool felt. Everything we produce is unique in color and patterning - very textural (touch them!) distinctive and joyous. Everything is hand-washable, hand-made in Taos and all the flat felts are reversible. Lana Dura LLC
Minna White |
Felts can be sewn producing pillows and various bags.
Pet Beds available for cats and dogs... they love the natural wool and no chewing has been reported!
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I use only wool from Navajo-Churro sheep, the breed which I raised since 1990. These sheep give me a sophisticated and wonderful natural color palette with their colorful wool: white and black plus many browns and grays and patterns. This historic and now rare breed arrived in this hemisphere with the Spanish Conquistadores in the 1500s. I am fortunate enough to have found their wonderful fiber and this thoroughly sustainable material enables me to Give Sheep a Job.
CLÔDIE FRANÇOIS
MESDAMES CARTON
Chamisal
"Penguins, worried by the Arctic ice cap melting hold a conversation..."
"Red Deer Mask"
"Portrait of a Lady in the Bathtub"
Whimsical Design Furniture & Lamps mesdamescarton.com Facebook Instagram Represented by: www.gauchoblue.com (Peñasco) |
"Tango Love"
"Elf"
I am nuts about trees,
I even speak to them...and to the branches I cut along the arroyos to create my lamps. I ask: speak to me, tell me one of your stories, some dream, some fantasy. Shutting the buzz in my mind, I listen with my eyes, until my hands follow & shape with colorful papers, the story they whisper. Each new lamp is a duo between the peculiar nature of the branches and my own imagination. 
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"Bird of Paradise Flower"
"What's got into them?"
"Fishing for light... from the roots"
Studio located in Chamisal, New Mexico, on the "High Road to Taos” Open all year round on appointment Phone: (505) 689 1194 Email: clodiefrancois52@gmail.com Visit Clôdie François's Listing on
The New Mexico Artist Directory |
MARCI LEBOWITZ
Taos
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My creations are well-suited for those that are bold, colorful and larger than life. My styles appear magnificently on those that are not
afraid to be seen, who know who they are and enjoy making quite a splash out in the world. Just like me!!!! xoxox www.followthethreads.com |
follow the threads gallery
241 Ledoux Street Taos, NM 87571 (630) 624-0143 |
LISE POULSEN
Peñasco
Lise and her husband Nick own Gaucho Blue Fine Art Gallery in Peñasco - in the mountains south of Taos. |
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IRVIN & LISA TRUJILLO
Centinela Traditional Arts - Chimayo Weavers
Chimayo
Centinela Traditional Arts is a tapestry gallery located in Chimayo, New Mexico, specializing in hand woven tapestry wool products using natural dyes, custom-dyed yarns, handspun yarns, and the traditional Chimayo and Rio Grande weaving styles. The weaving gallery is operated by
Irvin and Lisa Trujillo, who are award-winning weavers and whose work has been shown in, and collected by, museums across the United States, including the Smithsonian.
Irvin and Lisa Trujillo, who are award-winning weavers and whose work has been shown in, and collected by, museums across the United States, including the Smithsonian.
IRVIN TRUJILLO
As a seventh-generation Rio Grande weaver living in Chimayo, New Mexico, my work has evolved from the traditional styles of my forefathers. I use design ideas from historic Rio Grande weavings of Northern New Mexico and add my own aesthetic by combining old ideas with my own vision. My pieces may interpret my Hispanic history and culture, document events of the modern world, or make observations based on what is happening in my life. Most of my weavings develop spontaneously, as my father taught me. Executing an idea means discovering and overcoming the limitations imposed by traditional techniques and looms, and adopting, or perhaps changing, solutions as the weaving progresses. The binary logic of weaving makes the creative process and the execution of ideas inseparable. Not knowing the final outcome makes each weaving a journey. EMILY TRUJILLO
8TH Generation Chimayo Weaver
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LISA TRUJILLO
Lisa Trujillo learned to weave after marrying Irvin in 1982. She has spent the years since then immersing herself in learning traditional design systems as well as finding new ways to use traditional techniques and materials. She has become adept at spinning churro wool quickly into a yarn ideally suited for her richly-textured tapestries and blankets. Her occasional weaving workshops have helped her develop teaching materials that she hopes to eventually make available beyond just her workshop students. 
"Proud Hands" by Emily Trujillo
It's natural dyed churro wool: indigo (blue) and Black Walnut (tan), Natural Black (from my aunt's sheep) and Natural white. We dyed the yarn here at Centinela, a process I've been learning from my dad.
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IRVIN TRUJILLO - EMERGENCE IN TUNISIA
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IRVIN TRUILLO - GRACE
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LISA TRUJILLO -
LIPSTICK SUNSET
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LISA TRUJILLO - FLORITAS
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Website: chimayoweavers.com Facebook: www.facebook.com/ChimayoWeavers Etsy: www.etsy.com/shop/centinela |
Located in Chimayo, New Mexico, on the
"High Road to Taos" Centinela Traditional Arts, 946 State Road 76, Chimayo, NM 87522 Phone: (505)351-2180 Email: centinela@newmexico.com |
JULIE WAGNER
El Rito
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I grew up on the east coast, wandering the woods, collecting leaves, bones, and bugs. My work is based on the natural environment where I live, maps, scientific diagrams and microscopic images. juliewagnerstudio.com |
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These new works are part of a series called Bearers of Hope, or Hibakujumoku (survivor trees), which was inspired
by the story of the ginkgo trees which survived the bombing of Hiroshima. Immediately after the bombing,
they started sending out fresh buds and came back to life. The Japanese regarded them as “bearers of hope”.
They are all 6 1/2” in diameter and 7” high, and the medium is acrylic ink on handmade Japanese paper.
by the story of the ginkgo trees which survived the bombing of Hiroshima. Immediately after the bombing,
they started sending out fresh buds and came back to life. The Japanese regarded them as “bearers of hope”.
They are all 6 1/2” in diameter and 7” high, and the medium is acrylic ink on handmade Japanese paper.
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