N O R T H C E N T R A L R E G I O N
SANTA FE AREA
ARTISTS LISTED ALPHABETICALLY
Click on the Images to Enlarge
Click on the Images to Enlarge
FREDERICK F. BLACK
BIG SAGE ARTISANS
BIG SAGE ARTISANS
Rug #321
44.5" X 36.5"
A retired American Airlines
pilot and a graduate of the University of New Mexico School of Architecture. As a resident of New Mexico since 1969, he has developed a keen interest and appreciation for Southwestern art and textiles. It eventually led him to Tierra Wools, in Los Ojos, (now Chama), New Mexico, where he learned to weave. Fred weaves on a Rio Grande walking loom, not unlike the first looms brought to the New World by the Spanish in the early seventeenth century. His weavings are 100% Navajo Churro wool - warp and weft - which was the wool used by those early settlers. Churro sheep were, at one time, considered an endangered animal, and the wool is still considered quite dear. Its long staple and unique fiber composition make it unparalleled for use in rugs and blankets. All of these factors lead to an authenticity and strength in Fred’s southwestern pieces as well as his more contemporary efforts. 
Commissions are welcome. Due to the nature of hand-dying and custom weaving, all pieces are unique.
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Rug #333
44" X 54.5"
Rug #296
44" X 67.5"
Featured in the set design for the HBO series, "Succession"
Rug #315
44.5" X 56"
Rifle Scabbard #42
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Hand dyed, hand woven rugs, runners, and rifle scabbards made in Santa Fe, New Mexico, USA. Traditional and contemporary textiles created with an eye on lowering the environmental impact and promoting sustainability in the manufacture of fiber art. 
Rug #339
44.75" X 60.75"
Rug #338
44.5" X 58.5"
All wool used is Navajo Churro supplied and hand dyed by Connie Taylor of Bayeta Classic Sheep and Wool in Taos. More information on the breed and the wool can be found at:
www.navajo-churrosheep.com 
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ILSE BOLLE
Fiber Constructions
Growing up in rural Germany, I developed a special bond with nature. I loved creating with seedpods, tree bark, twigs, vines and grasses and, to this day, still gather most of the materials that I incorporate in my work.
ilsebolle.com |
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JENNIFER DAY
thread stories
This is part of my Cuban Car series - 24 x 16. “ Don’t Touch my ’55 Buick”.
"Long Day at the Escondido"
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Encaustic Portrait
Flax Fiber and Sashiko Stitching
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Hand Tinted Photograph
Handmade Paper, Flax Fiber, Tea Stained Parchment, Sashiko, Cricula Cocoons
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FORCED TO FLEE Tengo Hambre to be exhibited at the following: Ruth Funk Center for Textile Arts at Florida Institute of Technology Melbourne, Florida, May 25 – August 24, 2019: Daura Gallery at the University of Lynchburg, Lynchburg, Virginia: August 24, 2020 - October 9, 2020: Mills Station Arts & Culture Center, Rancho Cordova, California: January 1, 2021 - January 31, 2021: The Historical & Cultural Society of Clay County, Moorhead, Minnesota, June – October 2021: Pauly Friedman Art Gallery at Misericordia University in Dallas, Pennsylvania, March 25, 2021 - June 6, 2021 www.saqa.com |
I enjoy merging my interests in photography and quilting. My technique – Thread Stories – is a process based on printing my photographs on fabric and creating a realistic representation of the subject in thread.
I am a street photographer. My travels to remote villages in third world countries, gathering images of individuals involved in the routine of their daily lives, and documenting people on the streets of a busy cosmopolitan city have allowed me to create a fabulous collection of images that are the basis of my fiber art. My technique is a process based on printing my photographs on fabric and creating a realistic representation of the subject in thread using free form embroidery, quilting, appliqué and trapunto. The finished works range between one and three million stitches. |
MOLLY ELKIND
TAPESTRIES, TEXTILES, MIXED MEDIA
Molly Elkind : Talking Textiles (Blog)
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TAPESTRIES, TEXTILES,
MIXED MEDIA Fiber artist Molly Elkind’s work explores the expressive potential of handwoven tapestry. Current work is inspired by the colors, forms and phenomena of the New Mexico high desert where she lives. At the same time, Molly continues to push the edges of traditional tapestry, experimenting with approaches based on mixed media collage and improvisational weaving. She maintains her studio in Santa Fe. When possible, Molly travels nationwide to teach, and is available for online mentoring on a one-on-one basis. |
For insightful news, reviews, and more...
Visit Molly Elkind's Blog thinking out loud : weaving, ideas, art & craft mollyelkindtalkingtextiles.blog spot.com 
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BARBARA HOLLOWAY
Fine Handweaving
Galisteo
I Iove to weave. I am a handweaver of artwear, living and working in the high desert plateau country of
Galisteo, New Mexico. I weave primarily with rayon chenille and cotton yarns occasionally adding other
luxurious fiber accents. Additionally, I weave an animal fiber look alike fabric. On my standard rayon chenille
and cotton warp, I weave with a micro fiber yarn, called Cloud.
These are garments crafted to suit a wide range of environments. Choose a current garment design pattern.
Then choose your favorite handwoven fabric from the samples shown on my website.
I'm always thinking about the next great piece!
Galisteo, New Mexico. I weave primarily with rayon chenille and cotton yarns occasionally adding other
luxurious fiber accents. Additionally, I weave an animal fiber look alike fabric. On my standard rayon chenille
and cotton warp, I weave with a micro fiber yarn, called Cloud.
These are garments crafted to suit a wide range of environments. Choose a current garment design pattern.
Then choose your favorite handwoven fabric from the samples shown on my website.
I'm always thinking about the next great piece!
NANCY PAAP
Tesuque
Extraordinary Original Hand-Woven Creations
Nancy Paap is represented in several galleries nation wide—Handwoven Originals in Santa Fe, NM; Artemisia in Taos, NM; Changes in Portland Oregon; and Earth Spirits in Palm Desert, CA.
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My chenille weavings are all about color and wearability. It is the elixir that inspires me to continue weaving.
And weaving for me has always been a very down to earth meditative activity in this hum drum world! |
There is nothing ordinary about the creations of weaver
Nancy Paap, who spins dog hair into yarn and weaves it with hand-dyed silks, wools or cottons for one-of-a-kind garments. |
ELLIE BETH SCOTT
I usually begin with a drawing from my journal.
My quilt pieces start out as a preliminary drawing. I compose a narrative scene with a variety of characters and objects.
I am interested in the symbols that the subject represent. It’s an illustration that is rendered with thread, paint, buttons and beads. The finished pieces tell a story of real and imagined events. |
I usually begin with a drawing
from my journal. The process of constantly drawing visual ideas is very beneficial. It allows me to keep my imagination flowing and acts as a resource when it’s time to articulate my fabric art. |
In addition to creating my own artwork, I also create for clients directly. When I receive a commission, I incorporate specific ideas from the client such as special or meaningful events as well as personal objects to create their own Heirloom.
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SIGNE STUART
CATCHES 6, 2018
Acrylic and Graphite on Cut Bamboo Paper - 25.5 by 48.25 inches 
FLUXWALL, 2019,
Acrylic and Graphite on Cut Mulberry Paper, 68 by 97 inches |
CATCHES 7, 2018
Acrylic and Graphite on Cut Bamboo Paper 25 by 49 inches 
FLUXWALL 2, 2019
Acrylic and Graphite on Cut Mulberry Paper, 68 by 115 inches |
DOUBLE KORE, 2019
Acrylic and Graphite on Cut Mulberry Paper, 67 by 37 inches |
FOLD
Acrylic/Unryu Paper 35.5" x 43.5" 
FOLD 2
Acrylic/Unryu Paper 20.5" x 33"I |
Observations and questions about mysteries of the universe, life and consciousness are sources
of visual ideas for my paintings and constructions. Making these works is an ongoing process of negotiation
and experimentation between ideas and materials.
I want my artworks to resonate with viewers and move them toward seeing this is that:
everything as a consequence of endless shape-shifting, combining and recombining.
www.signestuart.net
of visual ideas for my paintings and constructions. Making these works is an ongoing process of negotiation
and experimentation between ideas and materials.
I want my artworks to resonate with viewers and move them toward seeing this is that:
everything as a consequence of endless shape-shifting, combining and recombining.
www.signestuart.net
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Visit Signe Stuart's Article in
Quelle Zine |
KAREN WATERS
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Wool felt is the oldest known textile and was probably created
in its earliest days using wool and water, then rubbing and rolling, and finally thrown onto a hard surface to help it shrink and tighten. |
Visit Karen Water's Listing on
The New Mexico Artist Directory |
My handmade felt is created much the same way, although I use a few modern tools to speed up the felting process. Sheeps wool, rainwater, and olive oil soap are my core ingredients, while often adding other fibers for design or strength. All of my work is made using ethically sourced wool,
and eco-friendly dyes. karenwatersart.com |
ALICE WATTERSON
Flying High Studio
"The winds of grace are blowing all the time. You have only to raise your sail." —Sri Ramakrishna
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Grounded Flyer
Horse of Another Color
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Ocean Guardian
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I inhabit a true live/work environment....a detached weaving studio, a garage woodworking shop,
and a fabric room where I ultimately construct my figures, birds and botanicals.
From woven yardage and colorful felt, birds fly and figures contemplate a life,
all profusely embellished and finely crafted.
Welcome to my world!
alicewatterson.com
DAYNA FISK - WILLIAMS
Fringe Weaving@
7 Arts Gallery
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My weavings are two strikingly different styles. I create New Mexico Rio Grande rugs and Japanese Saori style textiles.
Both are a direct result of living in two very special places. First, I learned the art of weaving Rio Grande rugs at the
traditional Tierra Wools weaving center just down the road from our home, nestled in the beautiful Chama Valley.
I use local, hand-dyed Churro wool and original style walking looms to create my rugs and wall hangings. My designs are
often colorful and contemporary, but the Rio Grande style is carried through. The fabric I weave is Japanese Saori style,
merged with traditional sakiori weaving from Japan. While living in Japan I was drawn to the eye-catching textiles.
Their stunning use of color and subtle, yet complex designs are reflected in my woven fabric. I design and make simple,
unique garments that are often based on the principles of origami.
All a result of living in this mysterious land.
Visit Dayna Fisk-Williams' Listing on the New Mexico Artist Directory
Both are a direct result of living in two very special places. First, I learned the art of weaving Rio Grande rugs at the
traditional Tierra Wools weaving center just down the road from our home, nestled in the beautiful Chama Valley.
I use local, hand-dyed Churro wool and original style walking looms to create my rugs and wall hangings. My designs are
often colorful and contemporary, but the Rio Grande style is carried through. The fabric I weave is Japanese Saori style,
merged with traditional sakiori weaving from Japan. While living in Japan I was drawn to the eye-catching textiles.
Their stunning use of color and subtle, yet complex designs are reflected in my woven fabric. I design and make simple,
unique garments that are often based on the principles of origami.
All a result of living in this mysterious land.
Visit Dayna Fisk-Williams' Listing on the New Mexico Artist Directory
