H I G H L I G H T S
THE GATHERING OF QUILTS has been moved to.....
Rebecca Speakes
A Overview of Her
Life in Fiber and Textiles.
March 21, 2024
Susan A Christie, Editor
A Overview of Her
Life in Fiber and Textiles.
March 21, 2024
Susan A Christie, Editor
“Chopsticks” quilt, 30” x 30”, 2024
Until you spread your wings, you will have no idea how far you can fly!
As not only an observer of the Fiber/Textile world but also a participant, many of us of a certain age remember everything from high school home economics potholders, thru the dressing up years of the 60’s and 70’s, and fiber art coming off the wall into mid air.
Spending time at home during the pandemic and my normal inclination to live a quiet life, now, in my 8th decade I have lovely time to muse on past events, valuable friendships, both here and having passed on, exhibitions, and more. Over our past eighteen years here, Truth or Consequences has changed from a sleepy southern New Mexico hot mineral springs small town into a thriving community filled with artists, writers, musicians, galleries, restaurants and more. During Art Hop, the second Saturday of each month, most locations are open to visitors from 6 to 9 pm with special exhibitions and music.
Currently, the Art Talk lecture series, at RioBravoFineArt Gallery sponsored by our Sierra County Arts Council, presents a historical look into the backgrounds and development of artists who live in Truth or Consequences. Video of the lectures are available on the SCAC’s website. The videos are produced with financial support from the National Endowment for the Arts and New Mexico Arts.
As a springboard for this first article, read the New York Times Style Magazine article, ARTS AND LETTERS. Fiber Art Is Finally Being Taken Seriously. Long caught in the liminal space between craft and something more prestigious, works of thread and fabric are reaching newfound institutional recognition. by By Julia Halperin, Sept. 11, 2023
I often visit or read about exhibits of various fiber artist’s work, often current, and hope that somewhere there are references about how this artist arrived at this point. Or possibly an artist talk during the time the exhibition is available. Today we are fortunate to be able to review an exhibit and a talk as an online video presentation beyond the traditional website.
Spending time at home during the pandemic and my normal inclination to live a quiet life, now, in my 8th decade I have lovely time to muse on past events, valuable friendships, both here and having passed on, exhibitions, and more. Over our past eighteen years here, Truth or Consequences has changed from a sleepy southern New Mexico hot mineral springs small town into a thriving community filled with artists, writers, musicians, galleries, restaurants and more. During Art Hop, the second Saturday of each month, most locations are open to visitors from 6 to 9 pm with special exhibitions and music.
Currently, the Art Talk lecture series, at RioBravoFineArt Gallery sponsored by our Sierra County Arts Council, presents a historical look into the backgrounds and development of artists who live in Truth or Consequences. Video of the lectures are available on the SCAC’s website. The videos are produced with financial support from the National Endowment for the Arts and New Mexico Arts.
As a springboard for this first article, read the New York Times Style Magazine article, ARTS AND LETTERS. Fiber Art Is Finally Being Taken Seriously. Long caught in the liminal space between craft and something more prestigious, works of thread and fabric are reaching newfound institutional recognition. by By Julia Halperin, Sept. 11, 2023
I often visit or read about exhibits of various fiber artist’s work, often current, and hope that somewhere there are references about how this artist arrived at this point. Or possibly an artist talk during the time the exhibition is available. Today we are fortunate to be able to review an exhibit and a talk as an online video presentation beyond the traditional website.
Photo by: ©Gabriella Marks Photography
The recent Art Talk lecture by Rebecca Speakes, fiber artist, (January 21, 2024, “My Pathway as an Artist.”), is a case in point. Originally from Minneapolis, MN. I am also from Minneapolis. It is a plus as I have a good sense of the "climate” in which she grew up. I have followed Rebecca’s work since my husband and I moved to Truth or Consequences eighteen years ago. She and I have had several in-depth interviews prior to her Retrospective Exhibition at RioBravoFineArt Gallery, Dimensionality: Quilts of a Different Stripe, Waldrum Gallery, November 11, 2023 to January 28, 2024.Read Rebecca’s Artist’s Journey on the RioBravoFineArt Gallery website.
My background includes 30 years in the Graphic Arts as a graphic designer, mostly as a self-employed freelancer. During this time I became familiar with methods of design, color theory, repeating grid patterns. My grandmother taught me to knit, crochet, sew and cook. She, being right-handed like me, was the logical teacher for me rather than my mother who was left-handed.
I have been a fiber artist since 1975 when I designed and crocheted clothes for myself. Rebecca brought examples of her work to her lecture at RioBravoFineArt Gallery beginning with her early amazing crocheted dresses. Rebecca not only created these dressed but wore them often.
The recent Art Talk lecture by Rebecca Speakes, fiber artist, (January 21, 2024, “My Pathway as an Artist.”), is a case in point. Originally from Minneapolis, MN. I am also from Minneapolis. It is a plus as I have a good sense of the "climate” in which she grew up. I have followed Rebecca’s work since my husband and I moved to Truth or Consequences eighteen years ago. She and I have had several in-depth interviews prior to her Retrospective Exhibition at RioBravoFineArt Gallery, Dimensionality: Quilts of a Different Stripe, Waldrum Gallery, November 11, 2023 to January 28, 2024.
Read Rebecca’s Artist’s Journey on the RioBravoFineArt Gallery website.
My background includes 30 years in the Graphic Arts as a graphic designer, mostly as a self-employed freelancer. During this time I became familiar with methods of design, color theory, repeating grid patterns. My grandmother taught me to knit, crochet, sew and cook. She, being right-handed like me, was the logical teacher for me rather than my mother who was left-handed.
I have been a fiber artist since 1975 when I designed and crocheted clothes for myself. Rebecca brought examples of her work to her lecture at RioBravoFineArt Gallery beginning with her early amazing crocheted dresses. Rebecca not only created these dressed but wore them often.
My background includes 30 years in the Graphic Arts as a graphic designer, mostly as a self-employed freelancer. During this time I became familiar with methods of design, color theory, repeating grid patterns. My grandmother taught me to knit, crochet, sew and cook. She, being right-handed like me, was the logical teacher for me rather than my mother who was left-handed.
I have been a fiber artist since 1975 when I designed and crocheted clothes for myself. Rebecca brought examples of her work to her lecture at RioBravoFineArt Gallery beginning with her early amazing crocheted dresses. Rebecca not only created these dressed but wore them often.
The recent Art Talk lecture by Rebecca Speakes, fiber artist, (January 21, 2024, “My Pathway as an Artist.”), is a case in point. Originally from Minneapolis, MN. I am also from Minneapolis. It is a plus as I have a good sense of the "climate” in which she grew up. I have followed Rebecca’s work since my husband and I moved to Truth or Consequences eighteen years ago. She and I have had several in-depth interviews prior to her Retrospective Exhibition at RioBravoFineArt Gallery, Dimensionality: Quilts of a Different Stripe, Waldrum Gallery, November 11, 2023 to January 28, 2024.
Read Rebecca’s Artist’s Journey on the RioBravoFineArt Gallery website.
My background includes 30 years in the Graphic Arts as a graphic designer, mostly as a self-employed freelancer. During this time I became familiar with methods of design, color theory, repeating grid patterns. My grandmother taught me to knit, crochet, sew and cook. She, being right-handed like me, was the logical teacher for me rather than my mother who was left-handed.
I have been a fiber artist since 1975 when I designed and crocheted clothes for myself. Rebecca brought examples of her work to her lecture at RioBravoFineArt Gallery beginning with her early amazing crocheted dresses. Rebecca not only created these dressed but wore them often.
During her Talk Rebecca said that she was originally not interested in quilting at all! Then she took a quilting class!
Let’s take a short trip thru history with Rebecca to see how she arrived at her current, quite compelling, quilts.
Let’s take a short trip thru history with Rebecca to see how she arrived at her current, quite compelling, quilts.
During the following years I have made 337 quilts.
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“Eye to Eye” quilt. 16" x 16”, June 15, 1995 I was intrigued with this quilt. Here are many elements of what we see today in Rebecca’s work; the geometry, pattern, color. Here is stitching and buttons. And interestingly, when she could not find a fabric design she needed at that time, she drew it on a neutral cloth and included it in the quilt!
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This is an example of an earlier quilt. It is lyrical, beautifully designed and constructed. The initial pieces are machine joined however all of Rebecca’s are finished by hand quilting.
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EACH QUILT BEGINS WITH AN ARCHITECTURAL AND TECHNICAL DRAWING.
FABRICS ARE CHOSEN AND COLORED INTO SPECIFIC AREAS OF THE DRAWING.
HARD PLASTIC TEMPLATES ARE CREATED AND USED TO CUT THE FABRIC PIECES.
THE PIECES ARE ASSEMBLED FOR SEWING.
THE QUILT IS FINISHED BY ADDING A BORDER AND BIAS STRIP EDGING.
FINALLY, THE WORK IS HAND QUILTED BY REBECCA.
FABRICS ARE CHOSEN AND COLORED INTO SPECIFIC AREAS OF THE DRAWING.
HARD PLASTIC TEMPLATES ARE CREATED AND USED TO CUT THE FABRIC PIECES.
THE PIECES ARE ASSEMBLED FOR SEWING.
THE QUILT IS FINISHED BY ADDING A BORDER AND BIAS STRIP EDGING.
FINALLY, THE WORK IS HAND QUILTED BY REBECCA.
This is a paper pattern drawn by Rebecca and used to design of her quilts.
Her experience of over thirty years as a graphic designer combined with tangential
interests in math and architectural concepts are the foundation for her work.
Her experience of over thirty years as a graphic designer combined with tangential
interests in math and architectural concepts are the foundation for her work.
During the several years that I was curating fiber exhibits at RioBravoFineArt Gallery (since retired), Rebecca and I began talking about her work in depth. I wanted to understand her process. I also wanted the eventual viewers at her planned retrospective exhibition to also have this insight. Letting viewers “back stage” in the artist’s studio to see their work site often tells a compelling story. (ed.
For the first 10 years I designed a new pattern (approximately six to eight total patterns) for each quilt beginning with Cool Fire, 5/18/82, 36”x29. I use 12 pieces rather than 13 pieces so there is more movement and more colors
I haven’t designed a new quilt pattern for over 30 years. I use the patterns over and over. It’s not evident because because I use different colors, placed at different angles, different proportions of the pieces.
The series of 73 quilts started in 2009. During this time I made 73 small quilts using the same pattern. *Presently I’ve gone back 35 years, utilizing those quilt patterns. I update them to my current style of foil stamped batiks, different ways of arrangement of colors of fabric, smaller quilt size. To date, I have designed and completed 337 quits in various dimensions.
For the first 10 years I designed a new pattern (approximately six to eight total patterns) for each quilt beginning with Cool Fire, 5/18/82, 36”x29. I use 12 pieces rather than 13 pieces so there is more movement and more colors
I haven’t designed a new quilt pattern for over 30 years. I use the patterns over and over. It’s not evident because because I use different colors, placed at different angles, different proportions of the pieces.
The series of 73 quilts started in 2009. During this time I made 73 small quilts using the same pattern. *Presently I’ve gone back 35 years, utilizing those quilt patterns. I update them to my current style of foil stamped batiks, different ways of arrangement of colors of fabric, smaller quilt size. To date, I have designed and completed 337 quits in various dimensions.
My visit to Rebecca’s studio revealed quite a story. Here you see collections of cut pieces for entire quilts that she has designed and saved going back into the 1990s.
During her Art Talk lecture she talked about drawing designs in color on neutral fabrics to incorporate in a quilt when she could not find what she wanted. (See the Eye to Eye quilt). If Rebecca wanted stripes she began by drawing them with markers. Today Rebecca creates her meticulous stripes by sewing her fabric selection together then incorporating into the overall design. (Note “Chopsticks” quilt, 30” x 30”, 2024 with its “Piano Keys edge)
Her pillows at RioBravoFineArt Gallery inspired by her colorful, naturalized southwest garden.
Rebecca lives in the Pink House withher tuxedo cats, inspired by the beauty around her.
Rebecca lives in the Pink House withher tuxedo cats, inspired by the beauty around her.
As an aside, Rebecca Speakes is secretary and long time member of the Sierra County Arts Council, which, under her guidance, annually publishes a comprehensive arts guide, the Sierra County Artists Directory, sponsors a website for the arts community in Sierra County (NM),and sponsors a series called Art Talks.
Susan A Christie: Originally from Minneapolis, MN, Susan holds a B.A. degree in Cultural Anthropology, with an emphasis on Ethnography, and Art from the University of Minnesota. She has also completed national and international post-graduate studies in multiple disciplines. Susan has been an exhibiting artist and educator for over 50 years. Susan also has a background in contemporary consulting and curation, writing reviews, exhibition text, biographical text, historical text and book-length projects. She also has had extensive background experience with fiber/textiles, historical and ethnographic objects.
www.susanachristiefineart.com.
www.newmexicofiberartsdirectory.com
www.mountainwestfiberartsdirectory.com
www.wildcranestudio.com
Rebecca Speakes:
Representation: RioBravoFineArt Gallery http://www.riobravofineartgallery.com/
Website: http://www.beadazzlingquilts.com/index.html
To View this Article in Complete Format:
Visit https://www.newmexicofiberartsdirectory.com/highlights.html
www.susanachristiefineart.com.
www.newmexicofiberartsdirectory.com
www.mountainwestfiberartsdirectory.com
www.wildcranestudio.com
Rebecca Speakes:
Representation: RioBravoFineArt Gallery http://www.riobravofineartgallery.com/
Website: http://www.beadazzlingquilts.com/index.html
To View this Article in Complete Format:
Visit https://www.newmexicofiberartsdirectory.com/highlights.html
THE OVEJA PROJECT COOPERATIVE
THE OVEJA PROJECT COOPERATIVE
Reprinted from the Southwest Weaving News
Issue 19 March 2024
Editor Lin Bentley Keeling
Hello all!
I had a great conversation a couple of weeks ago with Katy Lente, president of The Oveja Project Cooperative, which works to help promote and grow the sheep industry in New Mexico, about the project and its work as well as her own life a small-scale sheep keeper. Katy was deep into lambing season when we talked and at that time, she had 20 new lambs from her 35 ewes and 3 rams. She has Ramboulliet and a small clutch of endangered Karakul and enjoys having sheep around. -Lin
Reprinted from the Southwest Weaving News
Issue 19 March 2024
Editor Lin Bentley Keeling
Hello all!
I had a great conversation a couple of weeks ago with Katy Lente, president of The Oveja Project Cooperative, which works to help promote and grow the sheep industry in New Mexico, about the project and its work as well as her own life a small-scale sheep keeper. Katy was deep into lambing season when we talked and at that time, she had 20 new lambs from her 35 ewes and 3 rams. She has Ramboulliet and a small clutch of endangered Karakul and enjoys having sheep around. -Lin
The Oveja Project Cooperative is a New Mexico organization working to reinvigorate New Mexico’s sheep industry. The organization began about 6 years ago with Dr Alexandra Eckhoff, a veterinarian associated with the New Mexico Livestock Board, who noticed that the sheep industry in New Mexico was waning and put out feelers to revitalize wool industry.
Oveja is the Spanish word for sheep and sheep have been in New Mexico since they were brought to the region by the Spanish more than 400 years ago. The industry fell apart after the US federal wool subsidy was discontinued in the 1970s. The Diné (Navajo) people continue to raise and use sheep, but generally wool and meat production have steadily decreased in the state. Currently, there are about 400 wool producers in the state, many of them small scale keepers, and most of the wool produced in New Mexico is processed and shipped to China. One of the country’s largest wool processors is based in Roswell, NM. Producers receive pennies per pound for their hard work and investment. Meanwhile, most of the wool and yarn purchased in the state comes from Australia and New Zealand. The Oveja Project Cooperative is working to turn this around with several initiatives and annual events as well as educational programs.
One such program is a presentation about Small Sheep Keeping on March 16 at Gutierrez Hubbell House, (Gutierrez Hubbell House Alliance (gutierrez-hubbellhouse.org)) 6029 Isleta Blvd SW in Albuquerque, NM. A trio of veterinarians will discuss aspects of sheep health requirements, and breeds with an emphasis on heritage breeds. Rena McClain will share her breed study of wool to yarn. This is a free event.
Oveja is the Spanish word for sheep and sheep have been in New Mexico since they were brought to the region by the Spanish more than 400 years ago. The industry fell apart after the US federal wool subsidy was discontinued in the 1970s. The Diné (Navajo) people continue to raise and use sheep, but generally wool and meat production have steadily decreased in the state. Currently, there are about 400 wool producers in the state, many of them small scale keepers, and most of the wool produced in New Mexico is processed and shipped to China. One of the country’s largest wool processors is based in Roswell, NM. Producers receive pennies per pound for their hard work and investment. Meanwhile, most of the wool and yarn purchased in the state comes from Australia and New Zealand. The Oveja Project Cooperative is working to turn this around with several initiatives and annual events as well as educational programs.
One such program is a presentation about Small Sheep Keeping on March 16 at Gutierrez Hubbell House, (Gutierrez Hubbell House Alliance (gutierrez-hubbellhouse.org)) 6029 Isleta Blvd SW in Albuquerque, NM. A trio of veterinarians will discuss aspects of sheep health requirements, and breeds with an emphasis on heritage breeds. Rena McClain will share her breed study of wool to yarn. This is a free event.
In 2018, the group identified a lack of trained shearers in the state and began hosting a shearing school. The third shearing school will take place in Belen in April. Ten students will learn to hand shear a sheep using highly specialized shearers as well as hoof trimming from hand-blade shearing expert, Kerry Mower of Hyer Wools (https://www.hyerwools.com). Hand shearing is more comfortable and less stressful for the sheep as well as the shearer and spinners desire wool that has been sheared by hand rather than by an electric blade which crushes the fibers. The next shearing school is scheduled for April 18-20 in Belen. The fee for hands-on students is $450, which includes a meal, while auditors can observe the process for $75. Fleece evaluation, sheep age determination and inner eyelid testing for anemia will also be discussed.
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Drop spindle instruction by the Enchanted Spinners of Albuquerque (Home | Enchanted Spinners) and a felting workshop by Svea Peterson will be held April 20-21 in conjunction with the Shearing School. Fees and materials information will be available closer to the event.
Another initiative is the Oveja Project’s 2-year internship program which trains participants in all aspects of wool processing and the different steps between the sheared wool and yarn including skirting, scouring, combing, carding, spinning, and plying and the different modalities of textile production including knitting, crochet, weaving, felting, etc. The “spinterns” are paired with wool producers in the state as they work toward developing a product and bringing it to market. The first cohort is entering its second year. Good candidates for the program have an interest in small scale sheep and wool production, are capable of devoting their time and energy to the program to develop their skills and to seek a niche with a specific producer. They need to be resilient, flexible, creative, and work well within a group. The Oveja Project is also working toward developing a lamb internship in meat cutting with a USDA processor in El Rico. They hope to place 10 interns in both programs with support from New Mexico Workforce Solutions to assist with financial support for interns and connections to stable employment in the industry.
In another project, they have reinitiated the New Mexico Make-It-With-Wool contest. This year, Albuquerque-based Dropped Stitch Knitters Guild (Dropped Stitch Knitters Guild) will provide a cash award for knitting but anything sheep related can be entered from a dish with lamb, a cut of meat to a pelt that has been tanned, or a fleece to any knitted, crocheted, felted, woven garment or dyed and/or spun yarns as long as the product is made of at least 60% wool or other animal fiber. Make-It-With-Wool will take place in October. More news about this as it becomes available. Check out the NM Make-It-With-Wool Facebook page.
The Oveja Project Cooperative welcomes anyone interested in getting involved in elements of the sheep industry—breeding, farming, shearing, milling, working with wool, showing sheep, marketing lamb or serving lamb in a restaurant. A monthly Zoom meeting is held the 3rd Wednesday of the month at 4 PM Mountain Time.
Membership in the Oveja Project Cooperative is $15 per year for individuals, $5 for children up to 18 years of age and $25 for businesses or clubs. They currently have an email list of about 100 and about 30 paid members. Fundraising is also done through the sale of their “Ewe and I Can Change the World” t-shirts ($26 for short-sleeve, $32 for long-sleeve) and from day students at their workshops and events.
For more information about the Oveja Project, its programs and initiatives, contact Katy Lente, President at TheOvejaProject@aol.com. Follow them on Facebook at The Oveja Project | Facebook
Another initiative is the Oveja Project’s 2-year internship program which trains participants in all aspects of wool processing and the different steps between the sheared wool and yarn including skirting, scouring, combing, carding, spinning, and plying and the different modalities of textile production including knitting, crochet, weaving, felting, etc. The “spinterns” are paired with wool producers in the state as they work toward developing a product and bringing it to market. The first cohort is entering its second year. Good candidates for the program have an interest in small scale sheep and wool production, are capable of devoting their time and energy to the program to develop their skills and to seek a niche with a specific producer. They need to be resilient, flexible, creative, and work well within a group. The Oveja Project is also working toward developing a lamb internship in meat cutting with a USDA processor in El Rico. They hope to place 10 interns in both programs with support from New Mexico Workforce Solutions to assist with financial support for interns and connections to stable employment in the industry.
In another project, they have reinitiated the New Mexico Make-It-With-Wool contest. This year, Albuquerque-based Dropped Stitch Knitters Guild (Dropped Stitch Knitters Guild) will provide a cash award for knitting but anything sheep related can be entered from a dish with lamb, a cut of meat to a pelt that has been tanned, or a fleece to any knitted, crocheted, felted, woven garment or dyed and/or spun yarns as long as the product is made of at least 60% wool or other animal fiber. Make-It-With-Wool will take place in October. More news about this as it becomes available. Check out the NM Make-It-With-Wool Facebook page.
The Oveja Project Cooperative welcomes anyone interested in getting involved in elements of the sheep industry—breeding, farming, shearing, milling, working with wool, showing sheep, marketing lamb or serving lamb in a restaurant. A monthly Zoom meeting is held the 3rd Wednesday of the month at 4 PM Mountain Time.
Membership in the Oveja Project Cooperative is $15 per year for individuals, $5 for children up to 18 years of age and $25 for businesses or clubs. They currently have an email list of about 100 and about 30 paid members. Fundraising is also done through the sale of their “Ewe and I Can Change the World” t-shirts ($26 for short-sleeve, $32 for long-sleeve) and from day students at their workshops and events.
For more information about the Oveja Project, its programs and initiatives, contact Katy Lente, President at TheOvejaProject@aol.com. Follow them on Facebook at The Oveja Project | Facebook
“Terrie Mangat: Quilts”
February 3-March 17, 2024 Opening, February 3: 4 to 6 p.m. Artist’s talk: February 18, 3 p.m. Photos by ©Terri Mangat
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In the main galleries we have long-time Taos artist Terrie Mangat, whose sprawling studios I visited last week for the first time. There was so much to look at that I came away almost dizzy but more than a little in awe of all the materials she has at her command, including boxes of buttons, shells, mica chips, and bits and pieces of all manner of fabrics. If you think quilts are just bed coverings stitched together by groups of demure and usually rural craftswomen, these will make you reconsider the art. Mangat works in a few vocabularies, from the pictorial to the traditional, celebrating such local phenomena as fireworks displays and the desert landscape. They range in size from roughly three by four feet to full-scale wall coverings, up to ten or fifteen feet tall. I’m not sure how the quilts will all shake out in the galleries, but I’m psyched.
(Republished from the January 20, 2024 Newsletter from The Wright Contemporary, written by Ann Landi, Director.)
JULIE WAGNER
CELEBRATION OF THE BOOK
Santa Fe Community College’s Visual Arts Gallery
CELEBRATION OF THE BOOK
Santa Fe Community College’s Visual Arts Gallery
A Free reception with refreshments from 4 pm to 6 pm on Thursday, February 15, 2024. The exhibition continues through Friday, March 22. All the artists represented in the exhibition are members of the Santa Fe Book Arts Group or Libros New Mexico Book Arts Guild. They use a wide range of materials, designs, and techniques to create original works of sculptural, two-dimensional, or multi-dimensional book art.
TO VIEW THE EXHIBIT
TO VIEW THE EXHIBIT
Emily's Exhibit: "Generations of Imagination:
What Lies Behind the Vision of Chimayo Weavers"
Guest Curator Emily Trujillo
8th Generation Chimayo Weaver
Opening October 6, 2023 -
April 1, 2024
What Lies Behind the Vision of Chimayo Weavers"
Guest Curator Emily Trujillo
8th Generation Chimayo Weaver
Opening October 6, 2023 -
April 1, 2024
Emily Trujillo: November 15. 2023
You may visit Emily and her Family @ Chimayo Weavers - Centinelia Traditional Arts
www.chimayoweavers.com
www.chimayoweavers.com
Museum of Spanish Colonial Arts
750 Camino Lejo, Santa Fe, NM 87505
Phone: (505) 982-2226
www.spanishcolonial.org/
750 Camino Lejo, Santa Fe, NM 87505
Phone: (505) 982-2226
www.spanishcolonial.org/